Q9 PROCESS IS ?
We are texting with 100 prominent architects – sending them SMSes. The architects are out of context, so are their sentences. They are replying, but at the same time, they are unaware of the action. If they have something to say, they will write back. Consistency is in the spectrum.
SPECTRUM OF ARCHITECTS
PROCESS IS ?
The only way to activate a real network design process is to design an atmosphere which stimulates citizens' actions and reactions, rather than offering conclusive oriented design and submitting the closed product for the citizens' approval.
Every step of the process is shared on the website.
Innovation is related to the way the own working process is conceived.
In a globalized world, creativity is the capacity to connect things innovatively and thus we understand that the protagonist of the creative process is not just a team but an open and multi layered design network.
MASS design group
our design process is very integrated with the medical professionals that we work with.
This process is basically different from the ready made.
The importance of doing that as part of the design process is that if you don't do that, you're liable to build something that you fall in love with in the model that is way over the budget and you find out after you've made your formal decisions and crystallized something that you like.
In other words, the cost process is involved in the design process all the way through.
Sometimes, we quickly find the direction that we think is good, and sometimes the process is not so...
The process is similar to what Mollino did: a form of appropriation of an existing work in order to create a new context.
Also, if the stripes are too long, they won't work well at physical high differentiation of curvature such as recombinatory or splitting nodes; though if too short, the process is back at square one (singularities), with too many parts.
A serious advantage of this process is highlighted within any decision making, allowing additional testing, trails, errors and a series of variations.
However, this liberation which seems to be manifesting itself across the board throughout the continuous phases of the design process is currently mainly driven by geometrical constraints.
THE MESH GRAMMAR PROCESS The starting condition of the process is a polygonal mesh of any level of detail and complexity.
Although the presented process is deterministic as the same combination of rules applied on the same mesh produces always the same result it is difficult to foresee the outcome.
This perspective generates a way of thinking ethics in architecture in which the intentions of authors are of less importance than the result of their intentions as the process is socialised.
One process is that of production, in the sense of the city as a work of manufatto (manufacture), an object literally made by the hands of men; the second process is that of time, which ultimately produces an autonomous artifact.
The second process is not Â·only singular as opposed to collective, but it supersedes man in that it has its own reason an d motivation an d thus its own autonomous form, which, by virtue of its not being determined by the subject man, is independent of its use.
This process is taking place all over London and in all major cities.
(It is when the investigative process is opaque to nonexpertsâsuch as with DNA analysisâthat claims for neutrality and objectivity start occupying their traditional central roles.)